Search the Drama Teacher Academy

What happens next? In this Emergency Lesson Plan, students discuss and decide what happens next in a play. They will turn this discussion into a written scene. Use this ELP at the beginning of a unit.

Students will identify the elements that make a good monologue. Have student groups read aloud existing monologues and then discuss, answer questions, and evaluate the elements of the monologues. Do these existing monologues meet the criteria of a good monologue?

This Lesson Plan introduces one of the important tools of an actor: the body. Student actors often have difficulty getting out of their own body, especially if they suffer from any kind of stage fright. How do we move on stage? What happens when we’re afraid to move? How can we get beyond nerves to become comfortable with our bodies? What do we “do” on stage?

This lesson plan takes students through a variety of directing styles, asks them to assess each method, and then asks them to reflect on what’s most important when choosing a directing method. This is a great lesson to use for a directing class, or an advanced class that will be putting together their own scenes.

One approach to character development is to identify the difference between what characters want vs. what they need. Sometimes students get the two mixed up. Which is more important? Do plays always identify characters as having both? In this lesson plan, students identify the difference between want and need, then apply that knowledge with scenes/monologues.

Students explore how to trust themselves and work with others in improvisation through activities as well as playing games - Story Game, What are you doing?, and Press Conference.

Students explore Characterization and One Focus by participating in activities and playing Ding, Emotional Waiter and Party Quirks.

Students explore the importance and types of conflict as well as the importance of telling a complete story. Students will demonstrate their understanding of the rules of improvisation through their final performance in Freeze as well as a written quiz.

The Ancient Greek Theatre is the birth of the modern theatre. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data?

Greek Theatre is the ancestor of the Modern Theatre. It is the birth of the actor stepping away from a chorus of unison speakers. The building of theatres. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than just the collection of data? In this lesson plan, students will explore the connection between the way they tell stories in the 21st century and the way that the Ancient Greeks told stories. Students will also explore Ancient Greek vases and Homer’s The Iliad.

In this lesson, students trace the journey from ancient storytelling to modern day theatre thousands of years later. One of the main reason theatre evolved like it did was because of performance opportunities during City Dionysus festivals in tribute to Dionysus. The performance framework moved from one person telling a story to a group, to a choral group performing, to one person stepping out in front of the chorus as an actor and so on. It’s interesting for students to see that the more you perform a form, the more that form evolves.

The Greek Theatre is the ancestor of the modern theatre. It is the birth of the actor stepping away from a chorus of unison speakers, as well as the catalyst that triggered the practice of building theatres. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data? In this lesson plan, students will explore the connection between the past and present by asking the question, “Does the “where” affect performance?” Students will compare and contrast the modern stage with the Ancient Greek Amphitheatre.

The Greek Theatre is the birth of the modern theatre. It is the birth of the actor stepping away from a chorus of unison speakers, as well as the catalyst that triggered the building of theatres. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data? In this lesson plan, students will explore the connection between “what” of Ancient Greek Theatre: tragedy, satyr, and comedy.

This is the project section of the Ancient Greek Theatre unit. Divide students into groups, then give them an information sheet on their subject. Their job is to present the information in a theatrical manner to the class, create an activity that the class can do as a whole, and write a reflection/exit slip for the class to complete. Within this unit students are given three to four class periods to work on their presentations. Instruct each group to divide up tasks evenly within their group, so that they can meet the deadline. You can certainly give them more time, or establish that students must spend time working on the project outside of class. Depending on the size of your class, it may take one or two classes to complete the presentations.

In this lesson, students present their topics, lead the class through an activity, and provide a reflection. They also self-evaluate the process.

Ten ideas for further class work and activities for Ancient Greek Theatre.

Students will read the description of a musical then break into groups to create a poster for the show. Each group will present their poster to the class and explain their representation. Note: This lesson works well if students have had a basic introduction to musical theatre.

In Elizabethan times, audiences at the Globe had to use their powers of imagination and listening to envision the worlds of Shakespeare’s plays. Today, modern audiences are treated to elaborate depictions of Shakespeare’s settings with expensive sets, lighting, projections, and sound. This lesson will test your students’ creative collaboration. They will design a set and soundscape in obstacle course form for one of Shakespeare’s plays using found objects, sounds, and actions.

This lesson plan looks at three 19th century actors: Charlotte Cushman, Edwin Booth, and Joseph Jefferson. All three were heralded as “stars” and were well known in their time. Students will learn some information about each, read letters in which they talk about acting, and reflect on what they’ve learned.

The director Max Reinhardt said that, “Our standards must not be to act a play as it was acted in the days of its author.” Use this quote as a reflection point for students. Students will take a play from another era and create a 1-minute presentation that demonstrates how a production can take a play beyond how it was acted in the days of its playwright.