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Displaying items 261-280 of 2345 in total

Physical Character Creation

by Elisabeth Oppelt

Students will demonstrate their ability to use their whole body to create a character by participating in a “character walk.” Students explore how movement can be used to create a character. They will see what different body parts are used to convey character, how circumstances change how we move and how characters move differently from one another.

Creating a Voice for a Character

by Elisabeth Oppelt

Students will demonstrate how to use vocal aspects in character creation. The lesson teaches students how to create a specific character voice,considering volume, rate and pitch.

Vocal Projection

by Elisabeth Oppelt

Students will demonstrate their ability to project. Projection is speaking loudly without yelling. It is the technique actors use to be heard when performing without damaging their voices. Students learn how to project and practice the skill culminating in an assessed exercise.

The Criteria of a Good Monologue

by Lindsay Price

Students will identify the elements of a good monologue through analysis and evaluation, focusing on a need to speak (Why does the character speak?), a specific character voice (Who is the character?) and a journey (Is there a beginning, middle, end?).

Medieval Drama - Morality Plays

by Lindsay Price

Lessons to cover two class periods. Students learn the elements of a Medieval Morality Play and then create their own morality play with a modern context. Includes a modern version of "Everyman" and three assessment rubrics.

Medieval Drama - The Mystery Play

by Lindsay Price

Lessons cover two class periods. Students learn the elements of a Medieval Mystery Play cycle and then create their own Mystery cycle within a modern context. Includes handouts, assignment sheets, and rubrics.

Jobs in Theatre

by Elisabeth Oppelt

This lesson diagrams the main roles in a theatre. Students complete a graphic organizer describing each of these roles and allows students to decide which job appeals to them the most. Includes a slide show.

Breath Support

by Elisabeth Oppelt

Being able to control how much air comes out as you speak allows you to speak loudly without damaging your voice. It also lets you choose where to pause. This lesson teaches students the basics of breath support and exercises to practice controlling the breath. Students will demonstrate their ability to control their breath support by participating in a series of exercises, culminating with an attempt to say all fifty states of the union in one breath.

Subtext: What’s hiding underneath?

by Lindsay Price

Students will discuss and participate in exercises that apply subtext in a conversation. The assignment for the lesson is a one minute scene - two people at a restaurant, preparing to order. Each pair chooses one of the provided subtexts to play in the scene. Their job is to present the scene so that the subtext is clear. Includes two assessment rubrics.

I am a Fortress: Character Development

by Lindsay Price

Students create physical and vocal attributes based on a visual - images of buildings. Students will also take turns coaching the exercise to the class to demonstrate their comprehension. Includes images and two assessment rubrics.

Images on Stage: War Posters

by Lindsay Price

Students will discuss and analyze War Posters. What are the images? What is being said with those images? Describe the colours and shapes. Students will discuss how a director can use images as a jumping off point for staging. Includes five posters, assessment rubric, and analysis sheet.

Improvisation: The Gibberish Language

by Lindsay Price

Newcomers to improvisation often struggle with quick verbal responses. They get caught up with self-editing, self-judgement, and self-censorship and feel they’re failing at the exercise if they’re not fast enough. The gibberish tool allows students to practice the act of response with intention without the pressure of real words. It gives them confidence to participate in an improvised scene. Students will create a gibberish language as a group. Focus on making gibberish a language. “Yes, it sounds silly, but treat gibberish as a language.” The words don’t matter. How you say them does. Students will move to small group conversations, and finally improv scenes. Includes a list of scenarios, reflection, and assessment rubric.

Acting the Monologue: Sugar and Salt

by Lindsay Price

This is a great exercise when students are in the middle of preparing a monologue. Students will apply variety to a monologue in the following ways: - Variety of pace (choosing a line to slow down or a place to pause) - Variety of tone (choosing a line to deliver with an opposite tone) Includes two sample monologues.

Improvisation: The Rashomon Monologue

by Lindsay Price

Students will learn the Rashomon plot device and put it into practice through improvised character monologues. Includes scenario sheet, assignment sheet, and assessment rubric.

The Environment of Sound

by Lindsay Price

Certain sounds are always connected to certain objects - the slam of a door, cowbell, a ringing phone. How does the environment change if the sounds are changed? Does the change of sound change the scene? Includes a list of websites to use for free sound effects.

What is a Theatrical Convention?

by Ruth Richards

Students will learn a variety of theatrical conventions and apply their knowledge in a scene. Students will use a picture as a jumping off point, use a mind map to brainstorm ideas, and create a scene using the Flashback convention. Lesson Plan includes handouts, written reflection, and two rubrics (Practical and Written).

Where Did Drama Begin?

by Ruth Richards

Students will explore the origins of drama through ritual and chant. After discussing modern versions, students will create a ritualistic chant using choral speaking, and synchronized movements. Lesson Plan comes with an evaluation sheet and a rubric.

Introduction to Medieval Theatre

by Ruth Richards

Students will explore Medieval Theatre by role playing what it would be like to perform at the time. Students form trade guilds, create a medieval market scene, and then work on a morality scenario. Lesson plan comes with a written assignment to be completed after the practical assignment.

Introduction to Melodrama

by Ruth Richards

Students are introduced to the basic theory of Melodrama and its characteristics; predictable plots, stock characters, and exaggeration. Students will role play the stock characters of melodrama both physically and vocally. They will rehearse and perform a Melodrama scenario and as a written assignment be asked to write their own melodrama scenario. Lesson Plan comes with practical assessment and written assignment rubric.

Introduction to Expressionism

by Ruth Richards

Students will be introduced to the basic theory of Expressionism including expression of emotion, rapid disjointed dialogue, and stylistic movement. Students will practice moving and expressing emotion in an Expressionistic style. They will create a scene based on a nightmare using the principals of Expressionism. An oral presentation assignment is provided as follow up to this practical work. Lesson Plan comes with a practical task evaluation, assignment checklist, and rubric.
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