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Displaying items 121-140 of 165 in total

The Art of Saying No

Hosted by Matt Webster, Lindsay Price, Jane McEneaney, Bekah Schneider

Being a teacher makes its hard to say no. Being a Drama teacher makes it almost impossible! Drama teachers wear so many hats - instructor, director, designer, councilor (not to mention parent and partner!) that there is always something, or someone, that needs your time and attention. It’s just a matter of time before a ball is dropped and everything comes crashing down. It’s no wonder that drama teachers burn out! With so many people and projects fighting for your time how do you find balance? Sometimes you just have to say…No! Join us to talk about finding balance between life, work and art.
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Distance Learning: Check In 3

Hosted by Matt Webster, Lindsay Price, Lea Marshall, Karen Loftus

Ready or not, the new school year started. And what a start! We were confronted with a mind-boggling array of unknowns and tackled them with a mix of trepidation and creative moxie. Because as drama teachers, that's what we do: We solve problems. And then we share our brilliant solutions with our fellow drama teachers because it takes a village. And we are Village DTA! We are here to help because when one of us succeeds, ALL of us succeed. So join the village for a start-of-year "check-in" where we will talk to drama teachers about the struggles and solutions they have faced so far.
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Self Care for the Holidays

Hosted by Matt Webster, Lindsay Price, Christa Vogt, Lea Marshall

As we reach the halfway point of what can arguably be called the most challenging school year ever, now would be a good time to take a little time to reassess the situation and recharge our batteries. We have expended a lot of mental and physical energy since the start of school, and if we have any hopes of crossing the finish line with our students we are going to need to make sure we have something in the tank. That's why this PLC is going to focus on Self Care. Join us to talk about ways to refocus and refuel before starting the second half of the year. Remember: In order to help someone else you have to start by helping yourself!
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Risk-Taking

by Jennine Profeta

This lesson aims to encourage students to take risks and allay fear.

Send-Home Packet: Careers in the Arts

This packet includes an introduction for the teacher, and cover sheet for the student, to assign the Careers in the Arts packet for at-home distance learning, without technology. The attachments include separate interviews with individuals who have careers in the arts, so teachers can choose which to assign. Each attachment includes an interview to read, pre-reading questions, quiz, and reflection.
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Group Musical Poster

by Matthew Banaszynski

Students will read the description of a musical then break into groups to create a poster for the show. Each group will present their poster to the class and explain their representation. Note: This lesson works well if students have had a basic introduction to musical theatre.

The Design Process

Practical Technical Theatre

LIGHTING DESIGN LESSON 4, VIDEO 1 The first thing to do is to read the script just for enjoyment and to see how the story unfolds. See how the story affects you, and after you finish reading the play, jot down a few notes about how the play made you...

Practical Technical Theatre

AUDIO FOR THEATRE: SOUND REINFORCEMENT LESSON 8, VIDEO 1 In this section, I would like to discuss how I typically tune a PA system when Im using an analogue mixer. The process is similar when you have a digital mixer, but a digital mixer has a lot of the tools...

Controllable Qualities of Light

Practical Technical Theatre

LIGHTING DESIGN LESSON 2, VIDEO 1 Before we start this section, let me strongly recommend that before you begin actually working with your lighting instruments, dimmers, controllers, and all the other tools of the trade, make sure youve gone through our Lighting for Theatre program. There are many safety procedures...

Building the Ensemble

by Lindsay Price

Use this lesson plan at the beginning of the year to introduce the concept of ensemble and what it means to work together. Part One: Students participate and then reflect on exercises where they have to work together to make the exercise successful. They are given an Ensemble Expectations Handout. Part Two: Students participate and then reflect on exercises where they have to work together as an ensemble in a theatrical context. Here the exercises add elements of character and story such as creating a family portrait, tableau, group objects, one word storytelling, and choral speaking.

Send-Home Packet: Scene Spurs

This packet includes an introduction for the teacher, and cover sheet for the student, to assign 'Scene Spurs' writing prompts for at-home distance learning, without technology.
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21st Century Skills Through Devising

by Allison Williams

Allison Williams leads the course: 21st Century Skills Through Devising. This course covers what devising is, why to do it, how to do it, and how your students can master the 21st Century Skills of collaborations and cooperation, critical thinking, creative thinking through devising. High school is a great place to try devising with your students. But it’s not something you want to throw at your students without any preparation. Framework is important and this course takes you through a number of exercises you can take into the classroom tomorrow to help build a place of physical safety, a place where students work at making a lot of choices instead of waiting for the perfect choice, and a place where students feel comfortable making creative choices. The material also reviews the process of putting together a show from the idea/research stage to editing, to giving feedback. Your students have what it takes to create their own material, collaborate with each other, and have a unique theatrical experience!

Differences Between Stage Acting and Film Acting & Vocabulary

by Ruthie Tutterow

Students will be able to identify some of the major differences between acting for the stage and the camera. They will also be able to understand and use vocabulary that is specific to working on film sets and acting for the camera.
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Designing For A Larger Theatre Space / Lighting Richard III

Practical Technical Theatre

LIGHTING DESIGN LESSON 6, VIDEO 1 Now that weve discussed, demonstrated, analyzed, and created the different aspects of designing lights for a show, lets do this again, but in a little larger theatre. Were in Midtown St. Louis at the Grandel Theatre. Lets go inside and take a look. The...

Curriculum 911

Hosted by Matt Webster and Karen Loftus

Curriculum 911 Curriculum planning help for drama teachers - lesson planning, how to integrate cross-curricular activities, resources, and more! Hosted by DTA instructors Matt Webster, Karen Loftus, and Lindsay Price. Recorded on October 6, 2015 at 8pm.
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Rock your next Rehearsal

Hosted by Matt Webster & Jeremy Bishop

Your rehearsal questions and challenges addressed! Hosted by DTA instructors Matt Webster and Lindsay Price, and special guest - DTA member and teacher Jeremy Bishop. Recorded on October 20, 2015 at 8pm.
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Devising

Hosted by Lindsay Price, Matt Webster, Amy Patel, Jessica Fagerstrom

You and your students want a good story and script, even if you have to write it yourselves! But what does that look like? Who's in control? How would that work? How exactly do you devise new work with students? Join us in this PLC on Devising to learn the ins and outs of generating new works with your students.
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Stage Managers in Rehearsal

by Karen Loftus

Stage Managers have numerous responsibilities in the production process. This lesson will focus in on the things a stage manager does prior to and during blocking rehearsal from preparing for rehearsal, to taking blocking notation, to communicating important notes to other members of the production.

Part 1: The Costume Designer

by Karen Loftus

Students are exposed to research, concepts, and skill sets while they explore costume design and the role of the costume designer. They will be able to demonstrate their knowledge of costume effectiveness.
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What is a Monologue: Analysis

by Lindsay Price

Students will identify the elements that make a good monologue. Have student groups read aloud existing monologues and then discuss, answer questions, and evaluate the elements of the monologues. Do these existing monologues meet the criteria of a good monologue?
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