Items tagged "Popular"

3 Courses, 6 Units, 6 Resources, and 6 PLCs tagged "Popular" for Drama Teachers.

Courses

Laban: Advanced Characterization

by Todd Espeland

Learn about the Laban system to teach your students to physically and vocally discover character. This is an advanced course, which means that the course goes deep into exploring character and exploring character work through the work of Rudolph Laban.

Serious Play: Theatre Games and Warmups for Rehearsal and Ensemble Building

by Todd Espeland

In this class, Serious Play, the instructor will lead you through a series of games in risk, movement, focus, and voice. You will get access to a series of all inclusive games that you can string together to make one giant game that is great to use in rehearsal. You will learn how and when to use these games. You'll get ideas on how to craft your own warm-up lesson plan; and, most importantly, you'll learn about about a pre-class warm-up that you can do on your own so that you can get yourself into that third stage of the creative brain, so that you can begin trying out interesting, creative, and risky choices for yourself in your classes and in rehearsals.

Organized Chaos: 2nd Edition

by Matt Webster

Organized Chaos: Discipline in the Theatre Classroom will give you tools and strategies to prepare you for challenges you may face as you step up in front of a class of students and introduce them to the art of theatre. Whether you are a student teacher finishing college, a first-year teacher just starting out in the classroom, or an established teacher with a few years of experience under your belt, these lessons will provide insight and support as you establish discipline in your classroom. This is a revised, 2nd edition of a favourite original course in the DTA, brought to you by experienced theatre educator, Matt Webster.

Units

What is Theatre?

by Karen Loftus

Students will explore the question “What is theatre?” and contrast theatre to film. They will also begin their introduction to a couple of theatre roles.

Pantomime

by Karen Loftus

In this unit, students will explore nonverbal communication: first, through body language and gesture, and then through the specific art of pantomime. Students will learn hand position, tension, follow-through, and action/reaction/interaction with objects through warm-up games and exercises. The unit culminates in a two-person pantomime performance.

Voice

by Karen Loftus

This unit focuses specifically on the technical aspects of vocal production. By understanding how voice is created, students will be more aware of how to improve their vocal production. Students will explore posture and breathing exercises, as well as how to use the diaphragm, projection, and articulation. The final project will test students’ ability to properly project and articulate a joke across a large space.

Improvisation

by Karen Loftus

Students sharpen their listening and reaction skills through improv games, exercises, and scenes. They will learn five specific guidelines to apply to their improvisation: accept the offer, bring information to the scene, make active choices, make your partner look good, and don’t force the humour. There are so many different ways to approach a unit on improvisation. Keep in mind that you will have students who are really excited about this unit and some students who dread it. It’s best to start with low-risk games and exercises and then build up to higher-risk ones. Low-risk games in this situation mean partnered interactions that aren’t shared with the whole class.

Script Analysis: The Actor's Perspective

by Karen Loftus

How does an actor analyze a script? Students start with character analysis (how do we learn about a character in a script? what are the facts/inferences about a character?) and then explore the ideas of “objective,” “obstacle,” “stakes,” and “tactics.” The unit culminates with students applying learned script-analysis techniques on an assigned scene.

Unit One: Ensemble Building and Class Norms

by Lindsay Johnson

This unit has six lessons that you can use in the first week of your middle school program. What do you do in the first week? The most important elements are creating routines such as journal prompts, opening and closing circles, and giving strong feedback; creating an ensemble and ensemble-building games; and introducing a Weekly Ensemble Rubric. Students will define and build ensemble as a group, learning specific ways they can SAY YES and BE SAFE in class. They will understand the daily grading system and the basic routines of class. Finally, students will learn to give strong feedback by connecting specific evidence from performance to the Rubric language.

Resources

01 - Step One: Link with Yourself

The first step on the empathetic journey is with yourself. How can you connect with others if you don’t know who you are? Students will explore activities that allow them to think and reflect inward.

00 - Overview

The overview introduces Story Theatre, and outlines the 13 sections of the toolkit.

01 - Choosing Stories

The first step in dramatizing a story for story theatre is to choose which stories you want to adapt. In order to narrow our choices, we’re going to look at fables, fairy tales, myths from around the world (not just the ones from ancient Greece), picture books and chapter books.

02 - The Adaptation Process

Once you have chosen the story or stories you want to present, there’s a process to follow in order to adapt a story into a script, outlined in this resource.

13 - Story Theatre Scripts

These story theatre scripts are ready for performance. Each story includes at least one narrator, and each one can be adapted further to meet your needs.

PLCs

Setting up your classroom for the year

Hosted by Matt Webster, Lindsay Price, Lea Marshall, Maria Smith

Summer has flown by and any day now your students will be coming through the door. Are you ready for them? Is your classroom?? Believe it or not, much of the success the coming school year will depend on how you set up your classroom now. Discipline, organization, concentration and classroom management all hinge on a well planned classroom space. Whether you teach in a classroom, a theatre, or something in between, this is a PLC that will help you put your best space forward!
Attachments

Theatre History

Hosted by Matt Webster, Lindsay Price, Lea Marshall, Wendy-Marie Martin

Theatre History should be a part of every drama curriculum. But with all the plays and dates and people and places how do you avoid a month of textbooks, tests, and learning by rote? How do you make theatre history come alive in your classroom? Can you make it active? Can you make it fun? Join us for this discussion on bringing the past to life in the present.
Attachments

Student Leadership

Hosted by Matt Webster, Lindsay Price, Shelby Steege, Colin Oliver

Drama teachers often face a difficult dilemma: There are times when you need to be two or three places at once, and you need back up. But where can you turn for help? How about your class roster! Never underestimate the power of a dedicated student leader. By delegating duties and assigning responsibilities to your trusted students, you give yourself some breathing room, and you give them valuable leadership experience. Join us for this PLC on Student Leadership and set up your back up.
Attachments

Top 5 DTA Independent Projects - and How to Execute

Hosted by Matt Webster, Lindsay Price

As we work our way through pandemic teaching, we are hitting a few bumps along the way. One of the biggest hurdles facing teachers right now is absences. The extended absence of one, or more than one, student can drastically increase a teachers workload overnight.  That's when having access to some ready made distance learning materials can be a real lifesaver. And that's why the DTA has a ton of independent projects - appropriate, detailed, and easy to assign - ready when you need them.  In this PLC we are going to identify the top 5 Independent Projects in the DTA, and walk you though how to use them with your students.  You won't want to miss it!
Attachments

Assessment in the Drama Classroom

Hosted by Matt Webster, Lindsay Price, Claire Broome, Lindsay Johnson

A lot has changed in the classroom in the past few years, but one responsibility remains the same: You still need to assess your student’s work.  Assessment has always been a challenge in Theatre classes, but these days there are more challenges than ever when it comes to grading your students and their work.  So hop on to this PLC and join the conversation as we re-examine assessment in the Drama classroom. 
Attachments

AI in the Drama Classroom

Hosted by Matt Webster, Lindsay Price, Jessica McGettrick, Elizabeth Holbrook

Artificial Intelligence is here. In the past few years it has found its way into almost every corner of modern life - including the classroom.  However, important questions remain. Questions like: "Is there a place for AI in the classroom?" "Does that include the Drama classroom?"  and "What does AI in the Drama classroom look like?" These are just some of the questions we will tackle when you join us in this forward thinking PLC.  
Attachments

Show All Tags


© Copyright 2015-2024 Theatrefolk