Search the Drama Teacher Academy

Displaying items 261-280 of 693 in total

Copyright and the Theatre

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays, but a topic about which many students (and even teachers) lack knowledge. Students will read about the aspects of Copyright and the Theatre, reflect on making changes to scripts, and complete a Copyright and the Theatre Quiz.

The 21st Century Story

by Lindsay Price

Theatre is about communication. A story is presented to an audience. Storytelling was one of the earliest forms of entertainment that we continue to use today. Even though the method for delivering the story has changed, the form itself has stayed the same for thousands of years. In this lesson, students will create their version of the 21st century story. What stories do we tell today? How do we tell them? Who do we tell them to? You can use this lesson as an intro to studying modern theatre, especially for students who don’t have a theatre background. You can also use this lesson as an intro for Ancient Greek Theatre. Start by examining stories in a modern context, then shift to the Ancient Greek era.

Structure

by Karen Loftus

Students begin their exploration of playwriting by learning about structure and applying the elements in a writing exercise.
Attachments

What Skills Do You Need to Work on a Show?

by Kerry Hishon

The objective of this lesson is to introduce the concept of “hard skills” (specific abilities or knowledge needed to do a specific job) versus “soft skills” (personal attributes and personality traits; transferable skills that can be used in any aspect of a student’s life).

Session 3: Thou Shalts of Virtual Staging and Performance

by Lindsay Price

Students will participate in a demonstration to explore the rules of virtual staging and performance and why they are important. They will perform a Bad Idea/Good Idea skit for the class to demonstrate their understanding of the concept.
Attachments

Levels

by Lindsay Johnson

In this lesson, students will complete three to five rehearsals of their scenes using a rehearsal checklist, focusing on level changes.
Attachments

Projection and Final Rehearsal

by Lindsay Johnson

In this lesson, students will complete three to five rehearsals of their scenes using a rehearsal checklist, focusing on projection skills (voice clarity, open body).
Attachments

Scenes for Classroom Study: Sunday Lunch

Use this scene in your classroom for character study, scene work, substitute teachers, performance, Individual Event competitions, and however else you can imagine. Characters: Devon (17) and Rayden (15) Genre: Dramedy

Active Listening

by Anna Porter

Students will understand the importance of actively listening and using active listening to inform their character choices in performance. They will participate in listening exercises and apply active listening to their scene work.

Costuming: The Colour Wheel

by Holly Beardsley

Costuming with colour is a great way to visualize theme and mood. How do different colours make you feel? What colours are associated with different moods? Can colour be used to identify a group? Students will first assess character types and use the colour wheel to create a costume look. Their assignment for the lesson is to assign colours to different groups in a play based on relationship, mood, and era.

Crumpled Paper

by Karen Loftus

Some students dread writing. Just the thought of pencil and paper make them want to crumple up that paper and throw it. Well, now they can. In this exercise, students are introduced to story elements such as character, objective, obstacle/conflict, tactics, and resolution. Pairs of students add each new story element to an ever growing story that can be shared with the class. Reflection and Rubric included.

Research Project: Acting Teachers

by Todd Espeland

Instead of presenting a lecture on influential acting teachers, students self-learn in this lesson plan. Have students research an acting teacher, prepare a presentation and teach an exercise in groups.

Reflection

by Josh Hatt

Students discuss the presentations from the previous class and reflect as a group on the process. They address the role of costumes and costume effectiveness in a scene.

Marketing and Audience Experience

by Karen Loftus

Students continue their exploration by learning about the press release and creating a marketing plan for an original play.
Attachments

Unit Project: Performing a Shakespearean Scene

by Matt Webster

Students analyze, rehearse, and perform Shakespearean scenes using the concepts introduced over the course of the unit.
Attachments

Culminating Activity

by Lindsay Price

Students work together to come up with a solution for the famous “exit, pursued by a bear” stage direction from Shakespeare’s The Winter’s Tale through written response, drawing, and making a design element with materials found at home.
Attachments

The Acting Resume

by Lindsay Price

An actor needs two documents when they audition for a role: a resume and a headshot. What should go on an acting resume and what should stay off of it? What is an auditioner looking for? Students will discuss the purpose of an acting resume, review a model, and reflect on the process. Students will use this template when they create a resume for their mock audition.

New Drama Teacher Toolkit

In this toolkit you’ll find exercises, activities, and information that will help you get you through your first days, build your classroom management skills, and articulate the importance of your program.

Problem Solving for Student Directors

by Kerry Hishon

Students will work on a problem-solving scenario that may arise while working with peers/friends during the rehearsal process. They will first work together as a group, and then individually submit an Exit Slip.

Practicing with Devised Theatre; Dreamgirls

by Laramie Dean

In this lesson, students will present their devising pieces and prepare to watch the next musical, Dreamgirls.
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