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Displaying items 381-400 of 693 in total

Choral Reading

by Lindsay Price

Students will practice the techniques of choral speaking with a variety of pieces and applying specific vocal tools (volume, pitch, rhythm, emphasis) culminating in a assessed presentation.
# Technique

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Part of Playwriting Unit: Beginner Unit

Conflict

by Lindsay Price

In this lesson, students will work on a conflict profile and apply the details to a monologue. Student will also begin writing their first draft.
# Playwriting # playwriting

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Part of Creating Your Own Musical Unit

Practicing with Devised Theatre; Sweeney Todd

by Laramie Dean

In this lesson, students will present their devising pieces and prepare to watch the next musical, Sweeney Todd.
# Musical Theatre # musical theatre

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Part of Unit Five: Intro to Script Writing Unit

Set Design and Blocking

by Lindsay Johnson

In this lesson, students will create a set design and add blocking notes to their scripted scenes.
Attachments
# Playwriting # playwriting # middle school friendly

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Part of Alexander Technique Unit

The Power of Relaxation

by Ruthie Tutterow

Students will engage in a guided relaxation. Through this exercise, students will gain insight into some relaxation techniques and what intentional relaxation may enable them to do more easily.
# Acting

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Copyright Introduction

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays. But a topic about which many students (and even teachers) lack knowledge. Students will reflect upon and discuss four questions introducing the topic of copyright. They will then improvise scenarios -- two of which establish copyright correctly, two of which establish copyright incorrectly. The lesson ends with students deciding which scenarios are correct.
# The Basics

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The Ancient Greeks

by Lindsay Price

The Ancient Greek Theatre is the birth of the modern theatre. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data? It’s hard for students to conceptualize an era that happened so long ago as populated with real people. This lesson plan encourages discussion, application, and reflection on the Ancient Greeks. Be sure to check out the Ancient Greek Theatre handout as an accompaniment to this lesson. A powerpoint link is also included that is ready to use in your classroom!
# Theatre History # ancient greek theatre # theatre history

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Part of Ancient Greek Theatre Unit

The Ancient Greek People

by Lindsay Price

The Ancient Greek Theatre is the birth of the modern theatre. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data?
Attachments
# Theatre History # theatre history

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Part of Shakespeare Performance Unit

Preparing a Character for Performance Part Two - Laban's Efforts

by Anna Porter

Students explore and play with Laban’s Efforts, then select efforts to use in their monologue.
Attachments
# Shakespeare # Shakespeare

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Part of Design Unit

Properties and Prop Design

by Karen Loftus

Students understand what a property is and the various categories of props. Students explore how props are created and acquired.
Attachments
# Stage Management & Technical Theatre

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Part of The Actor in Transition: From Presentational to Three-Dimensional Unit

Scores and Beats

by John Minigan

This lesson introduces the idea of “Objective/Goal, Obstacle, and Action/Tactic” to simple scenes by scoring those scenes and playing the scored text.
# Acting # acting

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Part of The Actor in Transition: From Presentational to Three-Dimensional Unit

Power Plays in Three Statues

by John Minigan

This lesson incorporates physicality into stage relationships and learn to use stage position as an element of blocking that can show the dynamics of and changes in power in a scene.
# Acting # acting

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Part of Unit Four: Intro to Scripted Scenes Unit

Contentless Scene Brainstorm

by Lindsay Johnson

Students will be able to brainstorm fitting characters, setting, and conflict for a contentless scene. Students will use a variety of methods they’ve learned in the previous unit to communicate meaning: setting, pantomime, relationship clues, objectives, stakes, and tactics.
Attachments
# Character Development # middle school friendly

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Part of Unit Five: Intro to Script Writing Unit

Script Formatting

by Lindsay Johnson

In this lesson, students will create a script draft that includes scene setting, expression, and movement notes.
Attachments
# Playwriting # playwriting # middle school friendly

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Part of Unit Seven: Directed Scenes Take 2: A Variety of Scenes Unit

Objectives, Tactics, and Blocking

by Lindsay Johnson

In this lesson, students will complete a rehearsal checklist, focusing on objectives, tactics, and blocking.
Attachments
# Directing # directing # middle school friendly

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Part of Playwriting: Part 1 Unit

Character

by Lindsay Price

Character is one of the backbone elements of a good play. In this lesson, students will work on a character profile.
Attachments
# Playwriting # playwriting

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Part of Perspective Taking Unit

Nonverbal Communication

by Lindsay Price

In this lesson, students will explore nonverbal communication. How do students determine what others are thinking and feeling? Can they read body language and other forms of nonverbal communication? When they look at a photo can they identify what someone is thinking?
Attachments
# Character Development # character development

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Analysis and Exercise - Our Town

An Analysis and Exercise Guide to Thorton Wilder's play "Our Town."
# Play Analysis Guides # analysis

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Close Reading: Early Modern

by Lindsay Price

In this lesson, we will close read sections of an early modern text: The Importance of Being Earnest by Oscar Wilde. This play fits the criteria well for a close read text: Lots of details both in story and character, lots of structural “hows” to analyze, and Oscar Wilde makes a lot of statements with this play about Victorian England, about how people behave, about marriage, and about being truthful (earnest). Students will approach the text through a variety of exercises, from close reading the title, to single sentences, to a small section, to a culminating assignment.
# Analysis # close reading

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The Foundations of Playwriting

by Lindsay Price

Use this lesson plan as an introduction to a playwriting unit. This is a two lesson plan unit. Students complete exercises that demystify and reframe the four foundational elements of the playwriting process: Warm Ups, The Idea, Character, and Conflict. These plans are grounded in the statement: “You can’t build a house without a good foundation.” In order to write plays students need to know the basics first.
# Playwriting # playwriting

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