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Displaying items 381-400 of 693 in total

Conflict

by Lindsay Price

In this lesson, students will work on a conflict profile and apply the details to a monologue. Student will also begin writing their first draft.

Practicing with Devised Theatre; Sweeney Todd

by Laramie Dean

In this lesson, students will present their devising pieces and prepare to watch the next musical, Sweeney Todd.

Set Design and Blocking

by Lindsay Johnson

In this lesson, students will create a set design and add blocking notes to their scripted scenes.
Attachments

The Power of Relaxation

by Ruthie Tutterow

Students will engage in a guided relaxation. Through this exercise, students will gain insight into some relaxation techniques and what intentional relaxation may enable them to do more easily.

Analysis and Exercise - Our Town

An Analysis and Exercise Guide to Thorton Wilder's play "Our Town."

Copyright Introduction

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays. But a topic about which many students (and even teachers) lack knowledge. Students will reflect upon and discuss four questions introducing the topic of copyright. They will then improvise scenarios -- two of which establish copyright correctly, two of which establish copyright incorrectly. The lesson ends with students deciding which scenarios are correct.

The Ancient Greeks

by Lindsay Price

The Ancient Greek Theatre is the birth of the modern theatre. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data? It’s hard for students to conceptualize an era that happened so long ago as populated with real people. This lesson plan encourages discussion, application, and reflection on the Ancient Greeks. Be sure to check out the Ancient Greek Theatre handout as an accompaniment to this lesson. A powerpoint link is also included that is ready to use in your classroom!

The Ancient Greek People

by Lindsay Price

The Ancient Greek Theatre is the birth of the modern theatre. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data?
Attachments

Preparing a Character for Performance Part Two - Laban's Efforts

by Anna Porter

Students explore and play with Laban’s Efforts, then select efforts to use in their monologue.
Attachments

Properties and Prop Design

by Karen Loftus

Students understand what a property is and the various categories of props. Students explore how props are created and acquired.
Attachments

Scores and Beats

by John Minigan

This lesson introduces the idea of “Objective/Goal, Obstacle, and Action/Tactic” to simple scenes by scoring those scenes and playing the scored text.

Power Plays in Three Statues

by John Minigan

This lesson incorporates physicality into stage relationships and learn to use stage position as an element of blocking that can show the dynamics of and changes in power in a scene.

Script Formatting

by Lindsay Johnson

In this lesson, students will create a script draft that includes scene setting, expression, and movement notes.
Attachments

Objectives, Tactics, and Blocking

by Lindsay Johnson

In this lesson, students will complete a rehearsal checklist, focusing on objectives, tactics, and blocking.
Attachments

Character

by Lindsay Price

Character is one of the backbone elements of a good play. In this lesson, students will work on a character profile.
Attachments

Nonverbal Communication

by Lindsay Price

In this lesson, students will explore nonverbal communication. How do students determine what others are thinking and feeling? Can they read body language and other forms of nonverbal communication? When they look at a photo can they identify what someone is thinking?
Attachments

Contentless Scene Brainstorm

by Lindsay Johnson

Students will be able to brainstorm fitting characters, setting, and conflict for a contentless scene. Students will use a variety of methods they’ve learned in the previous unit to communicate meaning: setting, pantomime, relationship clues, objectives, stakes, and tactics.
Attachments

Close Reading: Early Modern

by Lindsay Price

In this lesson, we will close read sections of an early modern text: The Importance of Being Earnest by Oscar Wilde. This play fits the criteria well for a close read text: Lots of details both in story and character, lots of structural “hows” to analyze, and Oscar Wilde makes a lot of statements with this play about Victorian England, about how people behave, about marriage, and about being truthful (earnest). Students will approach the text through a variety of exercises, from close reading the title, to single sentences, to a small section, to a culminating assignment.

Be Amazing In Two Minutes Or Less

An audition guide for student actors. Covers choosing, preparing, and performing monologues. Plus - how to process feedback.

The Foundations of Playwriting

by Lindsay Price

Use this lesson plan as an introduction to a playwriting unit. This is a two lesson plan unit. Students complete exercises that demystify and reframe the four foundational elements of the playwriting process: Warm Ups, The Idea, Character, and Conflict. These plans are grounded in the statement: “You can’t build a house without a good foundation.” In order to write plays students need to know the basics first.
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