Search the Drama Teacher Academy

Displaying items 61-80 of 165 in total

Commedia Dell'Arte

by Karen Loftus

Students will discover, analyze, and explore the history, characters, and style of commedia dell’arte. Commedia dell’arte is a theatre history unit mixed with improvisation, physicalization, and exploring specific characters. In this unit, we’re going to focus on three main aspects: 1. Causes and Effects of Commedia (History) 2. Stock Characters 3. Commedia Performance Practices

Sound Effectiveness

by Josh Hatt

Students will explore how sound can affect the mood of a scene. They are then given a sound assignment to apply sound and music to a blank scene using a specific format.

How to Create a Budget When You've Never Done it Before

by Kerry Hishon

In this lesson plan, students will take on the role of a producer. They have had their show approved, but, before they get started, they must create a budget to track the money coming and going. Budgeting is a job that must be completed by the producer for every show. What’s involved? What does a budget look like?

Commedia dell'Arte

by Todd Espeland

Commedia dell’arte is a 16th century masked acting form. It is the basis of all comedy, including all tv sitcoms. This form is characterized by masked types and archetypical characters and a specific way of playing comedy. To that end, this unit is divided into two parts. Part One focuses on the foundations of commedia - playing comedy. These principles will be important to learn when it comes to developing commedia characters, specifically the physicality of the characters. Part Two will cover lazzi. Note: there are links to video demos in many of the lessons of this unit.

Our Town Unit

by Lindsay Price

This is a read, discuss, and apply literature unit. Students will study the play Our Town by Thornton Wilder. Our Town is often referred to as “nostalgic.” It’s seen as an antiquated look at a moment in time. But this play is called Our Town, not My Town. What’s happening in Grover’s Corners happened in the past, the distant past, in our present, and even in the future. The themes of the play—the ordinary versus universality, the concept of time, the cycle of life, the ignorance of humanity to the eternal—these are just as relevant in the twenty-first century as they were when the play was written. The purpose of the unit is not to have students recall knowledge about the play. Students will be able to identify, articulate, and dramatize text themes and concepts and compare/contrast these concepts to their own experiences.

Culminating Project

by Karen Loftus

In this culminating project, students are put into groups to create the stage management elements for a new “production” of Jabberwocky, the poem by Lewis Carroll.
Attachments

Unit Eight: Theatre of the Oppressed

by Lindsay Johnson

Students will have a chance to merge their understanding of scene elements with their improvisation skills in this final unit based on Augusto Boal’s Theatre of the Oppressed. Theatre of the Oppressed is a style of theatre specifically created to highlight the injustices of power and oppression in society and to problem-solve ways to bring about change. Starting with image theatre techniques to identify issues of power and oppression, students will then use forum theatre to create scenarios of oppression taken from their own lives and improvise realistic solutions. The unit culminates in a performance in which students participate as both actors in a scene they create themselves and spect-actors in scenes created by their peers.

Intro to Improv for Musical Theatre

by Annie Dragoo

Students will demonstrate an understanding of improv guidelines by using them in an exercise. This is an introductory improv lesson that is designed to build upon the actors’ tools in future lessons.

Collaboration: The Negotiation

by Lindsay Price

It takes practice for students to get used to the idea of working together, crafting ideas together, and learning how to negotiate. In a collaboration everyone comes to the table equally, and that means there is a process of give and take. Use this exercise to have your students practice negotiating instead of following one or two leaders.

Unit Reflection (Essay)

by Annie Dragoo

Students will evaluate the value of improvisation in musical theatre by writing a five-paragraph essay.

Intention/Invention

by Todd Espeland

This lesson introduces the fourth tool: intention/invention. Intention is what a character wants (it can also be called their need). Invention is the thing they need to invent to get their need.
Attachments

Museum Day

by Annie Dragoo

Students will showcase what they have learned about their musical theatre topic in a museum exhibit. Students will also learn about additional musical theatre topics by viewing other exhibits and answering questions found in the Museum Exhibit Questionnaire Book.

Final Movement Performance

by Annie Dragoo

Students will rehearse and perform a scene plus song incorporating specific movement. After the performance, students will complete a self-assessment checklist.

Rehearsal Ruts

Hosted by Matt Webster, Lindsay Price, Karen Loftus, Jessica Fagerstrom

We are heading deep into rehearsal season and you can already feel the monotony starting to build: Rehearse, Review, Repeat. Rehearse, Review, Repeat. You are falling into a Rehearsal Rut. Never fear! We have just the conversation to shake up your routine and give your rehearsals a much needed shot in the arm. Get on board and get out of that rut!
Attachments

Unit Project

by Karen Loftus

For the final project, give students an assigned scene to analyze as if they were going to perform it. One option is to have students continue working on the “Still as Stone” scene. Alternatively, you could provide a selection for them to choose from, or have students choose their own scenes.
Attachments

Hands-On Theatre History: Anti-Realism

by Wendy-Marie Martin

This course is a mix of individual and group activities requiring students to use both their analytical and creative mind. It gives students an overview on the Anti-Realism movement of the late-19th and early-20th century, and introduces them to some key theorists, playwrights, and theater makers involved in this movement. Together we will guide students through the wild world of the “isms,” more specifically Symbolism, Dadaism, Surrealism, Expressionism and Absurdism. We will introduce students to various manifestos and theories as we track the characteristics of each of our five “isms.” As we combine analysis and creative exercises, students bring their entire self to process and prepare to design an ISM Theme Park project, which they will share with the class at the end of the course.

Lighting Systems

by Karen Loftus

To demonstrate comprehension of how lighting systems work.

Close Reading: 21st Century Issue Play

by Lindsay Price

Close reading is a text-dependent analysis tool that allows students to read a text for in-depth comprehension. Students focus on the text to understand what’s being said, how it’s being said, and why. In this lesson, students will close read a teen issue play: Censorbleep by Lindsay Price. Reading something that was written specifically for them may help students connect to the analysis process.
© Copyright 2015-2025 Theatrefolk