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Assessment

by Karen Loftus

The production binder is the final assessment. A checklist and rubric is included.

Troubleshooting

by Karen Loftus

The Production Classroom has its challenges. The scenarios included are designed to help you to think about some potential barriers to having a successful production.

The Working Playwright

by Lindsay Price

This hyperdoc unit is designed to have students independently discover how a playwright turns creative expression into a career. The unit is broken down into three sections with multiple activities, videos, and research tasks, and includes a culminating activity.
Attachments

What is a Playwright

by Lindsay Price

In this first lesson, students discuss their preconceived notions about playwriting, their expectations and fears, and identify actions: What does a playwright do?

Where Do Ideas Come From?

by Lindsay Price

In this lesson, students will explore different methods of gathering ideas.

Monologues

by Lindsay Price

In this lesson, students will analyze existing monologues, identify the criteria for a good monologue, and write their own monologue in the practice session.

Dialogue

by Lindsay Price

In this lesson students will write two-character, one-location, ten-line scenes to practice getting to the heart of effective and efficient scene writing.

Character

by Lindsay Price

In this lesson, students will work on a character profile and apply character development details to a monologue or scene. Students will also receive the criteria for their culminating project and start work on their outlines.

Conflict

by Lindsay Price

In this lesson, students will work on a conflict profile and apply the details to a monologue. Student will also begin writing their first draft.

What is Theatricality?

by Lindsay Price

Students will answer the question “What is theatricality?” in terms of what makes a play stageable. Students will apply this concept to a stageability exercise.

How Do You Give Feedback?

by Lindsay Price

The first draft is due in this class. The class will begin with a feedback exercise. Then students will read their draft aloud and receive feedback.

Writing and Post-First Draft Questions

by Lindsay Price

Students are given time to work on their second draft. Students also receive a Post-First Draft Questions sheet to apply critical thinking skills to their draft.

Writing and In-Depth Character Profile

by Lindsay Price

Students are given time to work on their second draft. They will read an excerpt of their play aloud and receive feedback. Students will also receive an In-depth Character Profile sheet to help them apply critical thinking skills to their draft.

Practice, Performance, Reflection

by Lindsay Price

In these last two lessons, students will focus on the performance aspect of playwriting. It’s important to include performance in the unit because the ultimate goal of all plays is to be performed (rather than read). Students have the opportunity to rehearse in groups, present to the class, and then reflect on their experience with the unit.

Week One

by Lindsay Price

In Week One, students learn about the criteria for the culminating project, complete some exercises to give students strategies for warm-ups and fighting writer’s block, as well as complete a practice session for both a monologue and a scene.

Week Two

by Lindsay Price

In Week Two, students work on their first draft. Each class period involves writing, reading aloud from the draft, and giving/receiving feedback. The draft is due at the end of the week.

Week Three

by Lindsay Price

In Week Three, students continue to write read their work aloud and receive feedback. The feedback for this week will focus on character and conflict. They will also complete post-first draft questions and character profiles. The second draft is due at the end of the week.
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